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︎︎︎ Exhibitions


︎︎︎ Podroom Gallery, Cultural Center of Belgrade, 14.4.-19.5.2022.
︎︎︎ Projektraum, Kunstquartier Bethanien, Berlin 25.8.-10.9.2023
︎︎︎ Teheran (TBA)

︎︎︎ Publication


︎︎︎ Jenseits des Wassers (Berlin) Catalogue 

︎︎︎ Chapter Six: Conceptions


23 ︎︎︎ Juniper Foam, John & Alice
24 ︎︎︎ Ivan Marković, Waiting for Tonight
25 ︎︎︎ Dragana Jovanović, The Tempest

26 ︎︎︎ Katharina Hauke, I Never Asked for a Rosegarden


︎︎︎ Chapter Five: The Flows


19 ︎︎︎ Lucas Odahara, Still Men/Engine 1848

20 ︎︎︎ Leila Hassan, hydro phōné

21 ︎︎︎ Bilge Emine Arslan, Asi River/New Alphabet

22 ︎︎︎ Marko Stojanović, 19/01 Part II


︎︎︎ Chapter Four: A Vastness


14 ︎︎︎ Mate Ugrin, Porinuće (To Launch a Ship) Encore

15 ︎︎︎ Stephanie Imbeau, Tower of Patience (Half-Patient)

16 ︎︎︎ Marijana Radović, Seas of Plenty

17 ︎︎︎ Zahra Moein, Landscape or Land Escape

18 ︎︎︎ Center for Peripheries, WellCome Water, Island Water, Sabr


︎︎︎ Chapter Three: Remnants of Hope


10 ︎︎︎ Diana Barquero Pérez, If You Think You Can Grasp Me, Think Again
11 ︎︎︎ Ivan Marković, Surf
12 ︎︎︎ Marijana Radović, Gentle Cleanser

13 ︎︎︎ Škart, Voda pamti (Water Remembers)


︎︎︎ Chapter Two: Forces of Habit


5 ︎︎︎ Mariam Kalandarishvili, Tertiary Effects

6 ︎︎︎ Marko Stojanović, 19/01

7 ︎︎︎ Maryam Katan, Tactics of Desire: A Prescription for the Explorer, the Fisherman, the Fish

8 ︎︎︎ Roshanak Amini, Threshold

9 ︎︎︎ Stephanie Imbeau, Shifts (Procession)


︎︎︎ Chapter One: Laments of Time

1 ︎︎︎ Lucas Odahara, Liminal Blues
2 ︎︎︎ Mate Ugrin, Porinuće (To Launch a Ship)
3 ︎︎︎ Juniper Foam, Staring at the Sun / Wherever I Am, the Sky is Mine
4 ︎︎︎ Uroš Pajović, The Free World (Part I)


︎︎︎
Prologue

“Look at Water” by Roshanak Amini, Sofija Vučeta Posavec, Uroš Pajović


curated by
Berlin: Roshanak Amini and Uroš Pajović
Belgrade: Roshanak Amini, Sofija Vučeta Posavec and Uroš Pajović


created by 
Roshanak Amini and Uroš Pajović

Bilge Emine Arslan,

Asi River/New Alphabet

 

Asi River/New Alphabet is on display in Projektraum Kunstquartier Bethanien Gallery August 25th – 10th of Spetember.





Bilge Emine Arslan’s video installation work is about the
demographic, historical, political, and mythological significance of the Asi river and the landscape of the river basin. Asi is crossing three countries, Lebanon-Syria-Turkey in the Levant region, flowing backwards and pouring into the Mediterranean sea. She aimed to look at the history of this landscape and riparians by trying to grasp the memory that water carries and has. With this research, she wanted to claim the monumentality of water: A natural monument which is endangered. In other words, to question what is the memory of water and what traces that landscape contains through the water path.

The biggest question 
in this project is whether it is possible to take the human out of the focus when comprehending a water source. To achieve this, she uses some speculative expressions that refer to a new alphabet. Imagining that the river also narrates the landscape to some extent.