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︎︎︎ Exhibitions


︎︎︎ Podroom Gallery, Cultural Center of Belgrade, 14.4.-19.5.2022.
︎︎︎ Projektraum, Kunstquartier Bethanien, Berlin 25.8.-10.9.2023
︎︎︎ Teheran (TBA)

︎︎︎ Publication


︎︎︎ Jenseits des Wassers (Berlin) Catalogue 

︎︎︎ Chapter Six: Conceptions


23 ︎︎︎ Juniper Foam, John & Alice
24 ︎︎︎ Ivan Marković, Waiting for Tonight
25 ︎︎︎ Dragana Jovanović, The Tempest

26 ︎︎︎ Katharina Hauke, I Never Asked for a Rosegarden


︎︎︎ Chapter Five: The Flows


19 ︎︎︎ Lucas Odahara, Still Men/Engine 1848

20 ︎︎︎ Leila Hassan, hydro phōné

21 ︎︎︎ Bilge Emine Arslan, Asi River/New Alphabet

22 ︎︎︎ Marko Stojanović, 19/01 Part II


︎︎︎ Chapter Four: A Vastness


14 ︎︎︎ Mate Ugrin, Porinuće (To Launch a Ship) Encore

15 ︎︎︎ Stephanie Imbeau, Tower of Patience (Half-Patient)

16 ︎︎︎ Marijana Radović, Seas of Plenty

17 ︎︎︎ Zahra Moein, Landscape or Land Escape

18 ︎︎︎ Center for Peripheries, WellCome Water, Island Water, Sabr


︎︎︎ Chapter Three: Remnants of Hope


10 ︎︎︎ Diana Barquero Pérez, If You Think You Can Grasp Me, Think Again
11 ︎︎︎ Ivan Marković, Surf
12 ︎︎︎ Marijana Radović, Gentle Cleanser

13 ︎︎︎ Škart, Voda pamti (Water Remembers)


︎︎︎ Chapter Two: Forces of Habit


5 ︎︎︎ Mariam Kalandarishvili, Tertiary Effects

6 ︎︎︎ Marko Stojanović, 19/01

7 ︎︎︎ Maryam Katan, Tactics of Desire: A Prescription for the Explorer, the Fisherman, the Fish

8 ︎︎︎ Roshanak Amini, Threshold

9 ︎︎︎ Stephanie Imbeau, Shifts (Procession)


︎︎︎ Chapter One: Laments of Time

1 ︎︎︎ Lucas Odahara, Liminal Blues
2 ︎︎︎ Mate Ugrin, Porinuće (To Launch a Ship)
3 ︎︎︎ Juniper Foam, Staring at the Sun / Wherever I Am, the Sky is Mine
4 ︎︎︎ Uroš Pajović, The Free World (Part I)


︎︎︎
Prologue

“Look at Water” by Roshanak Amini, Sofija Vučeta Posavec, Uroš Pajović


curated by
Berlin: Roshanak Amini and Uroš Pajović
Belgrade: Roshanak Amini, Sofija Vučeta Posavec and Uroš Pajović


created by 
Roshanak Amini and Uroš Pajović

Leila Hassan,

hydro phōnḗ

 

hydro phōnḗ is on display in Projektraum Kunstquartier Bethanien Gallery August 25th – 10th of Spetember.





Hassan’s piece, hydro phōn., is a play on words in audio-visual actions. The phrase hydro phōn. come from ancient Greek words hydro (water), and phōn. (speech or sound). This combination of words hints at the relationship of language with water. Within this work, Hassan examines what the sound (of water) is to the listeners. She quotes the phōn., with a speaker that renders the “voice” of water. 

A well is created by digging deep into the earth to find drinkable water. This technique dates back to pre-pottery neolithic times nearly 8000 years ago when the first types of wells were constructed near the Mediterranean area. 

This work consists of hand-pottered round ceramic vases that the artist has built to capture the essence of water. These vases also have a sonorous body that appears like a fountain within a fountain, only deepe: almost underground. They are audible, visible, and invisible.

Hydro phōn. is a summary of old dreams and old techniques from analog to digital and vice versa. It is a hidden place like the one the artist discovered in the hidden riads in Morocco’s old towns. A jewel of craftsmanship, inside it a tiny voice that speaks to us.